Following the halfhearted reception to Whip-Smart-- good enough to retain her critical stature, not good enough to enhance it -- Liz Phair slowly retreated from view, marrying and having a child. LP: Well, you usually don’t create a negative protagonist. A Conversation with Singer Liz Phair The gutsy indie rocker turned glamorous pop queen discusses the pros and cons of adoption, feminism, and having a little more meat on … “We should get out of here,” she says, eyeing the phone. Interview: Liz Phair. In an interview with Vice, Phair explained: "My hope was that someone would hear the song in the gym and buy the record and then start buying my albums and sort of have an awakening". But Liz Phair was really a side job. It’s gross because you can see the pocket of blood right above the lash-line. Is that flag still there, and all that it means? I had a lot of fun doing it and I love that song. “I THINK THAT WHEN PEOPLE HEAR BIG PRODUCTION THEY THINK, ‘SHE’S FALLEN VICTIM TO CONCERNS OF COMMERCE.’”, Gift that special someone a year of magazines for $39 →, Beverly Rogers, Carol C. Harter Black Mountain Institute. It is sort of a job. Phair: Financially. And my new album, in my mind, is kind of a statement to say you can be fucked up and still enjoy living.You can have an awareness of what you’ve gained, what you’ve lost. I don't like being obvious. Liz Phair was studying art at Oberlin College in Ohio when she began leafing through one of her text books. Phair released "Why Can't I?" People my age who don't do that are basically immature, selfish shits. Liz Phair is spending most of 2008 living in the past. I’m just a charming sponge. LP:Well, that’s the whole thing, women’s lives and experiences aren’t valued, except by other women. LP: … I’m sorry—I’m distracted because I have a big black eye. And now, with her new album, hay will surely be made of the fact that not only is this her most explicit album, but three of its songs were written and composed with the help of the Matrix, the Los Angeles-based songwriting and production team that helped Avril Lavigne create some of her hit songs. For the most part, it was a deeply misunderstood move. Birner: Have you ever met the Stones and talked to them about Exile In Guyville? Phair released "Why Can't I?" Phair: Well, when you get older you'll find you need about a ten year gap between you and your rivals to not feel threatened by them. It’s kind of bizarre, but I think I can only draw on things I’ve experienced. Even if I pretended I was independent, that really was never the case. Nick: Where are my jewels? That means smiling, flattery, showing up, trying hard, whatever it is that makes things go smoothly. 'What's the matter with the boy?/He don't come around no more?' She’s pretty strong willed herself, so it was a very exciting experience making a song with someone who is a peer. [Goes to mirror] It looks like I have really heavy fuscia black eye shadow on. In an interview with Rolling Stone, Phair said that the concept of the song was developed through her observations of members from the alternative rock band Urge … Guyville doesn't threaten me? LP: I’d be scared out of my mind, but I’d probably do it. It wasn’t the right two people, but we are reasonable and we parent together.Whereas the relationship I had after my marriage,I don’t know what that was, but it was definitely kind of damaging to my self esteem. [Phair and her son Nick had recently returned from Legoland—the one in Southern California.]. [The sound of a small voice away from the phone. February 27, 2012 • Get nostalgic with World Cafe's roundup of archival interviews, featuring '90s modern-rock stars Liz Phair, Belly, Matthew Sweet and more. by Karina Halle. It’s like that movie Impromptu. In theaters Friday, June 29 is the drama People Like Us, featuring original music by A.R. Liz Phair’s debut memoir, Horror Stories, arrives today, and she’s released a brand-new song to accompany it — her first since 2014. People thought my making pop songs would change other material. Liz Phair was supposed to be on tour with Alanis Morissette right now. It’s just such a moving, brilliant song. Birner: Cause the tone is kind of upbeat? In an interview with Vice, Phair explained: "My hope was that someone would hear the song in the gym and buy the record and then start buying my albums and sort of have an awakening". in hopes that she would expand her audience and attract more listeners to its parent record, Liz Phair (2003). on October 28, 2010, 8:52am. It’s so radical if you think about it. Lycéenne à la New Trier High School, elle intègre ensuite l'Oberlin College, dans l'Ohio, en vue d'étudier l'histoire de l'art. It’s like watching someone who’s still really thrilled about their job go to a convention. An Interview with Liz Phair Vendela Vida. New York Press' Tom Birner asked her about this recent change in style, her follow-up CD Somebody's Miracle-and much else-as Phair gets set for a gig here in town. Next I m very connected to my internal, deepest subconscious, says Phair. Thousands of articles, interviews and reviews from the world's best music writers and critics, from the late 1950s to the present day. A Career-Spanning Conversation With Liz Phair XPN. I spend a lot of my day—I wonder if everyone does this, too—trying to be as fluid as possible in all situations. I'd just been divorced and until that point, there'd been a man to take care of me. Rahman for PEOPLE LIKE US, Taking on the Male Rock Establishment, Her New Album and More by Christina Radish June 26, 2012 And then the melody goes soaring up to a point you can barely even reach and I appreciate that because I think the song itself should be a struggle to make you realize what you’re singing about. I think you could write a successful short story without dignifying the character.You could have it unwind at the end. LP: I think for me, I’m not good at—I do try to paint on big canvases. Who knew that all Liz Phair ever wanted was to be a pop star? [Somebody's Miracle producer] John Shanks works at a studio in Hollywood where the Stones were debuting their new CD. Like my friend Nina, who’s a Ph.D., submitted a manuscript to Medievalist. Whatever it is. Instead, she's interviewing the "Jagged Little Pill" star for The Times. I'm looking him up and down, see? BLVR: There are characters in Oscar Wilde who do that, too. It was a chilling and fascinating novel. LP: I think when I create an album I’m doing that consciously, but when I make the song I think it’s natural. World Cafe Looks Back: '90s Alternative LP: And there were three other people helping, and they each have their own area of expertise so the song comes out really big-sounding. She’s as literate and sensual as Lucinda Williams and has the kind of beautifully controlled rage that Aimee Mann has perfected, yet Phair hasn’t gotten much credit lately. It’s obviously something that needs to be addressed.The worst part is you never become the wealthy landowner or anything.You’re never anything more than that.You’re a charming grift. Birner: Socially, Exile On Main Street is fairly innocuous?or at least the drug references are shrouded in metaphors. If I’m not close to it, I can’t do songs with a great scope.That’s one of the reasons we worked with other songwriters on this record, to try and find something that had a broader scope. Same age, same sort of take on life, and there we are in a bedroom with our notebooks out, kind of fighting over lines and trying to help each other, trying to push the song along. Liz dissects Exile in Guyville and how the album cover was developed. ], LP: Yup. And she's no stranger to controversy: Her seminal album Exile in Guyville was heralded as both groundbreaking and depraved. They were "how could Liz Phair rap and release this song?" She’s totally not interested in the roles that even people who have written great novels, who are women, still kind of play into. Birner: In a way, were you touched by the vehement protest of your last album? Do you know that writer? BLVR: How did he give it to you? BLVR: There’s a Dorian Gray reference in your new album. Imagine Hollywood doing it: it’s their big last brawl and people have lost their brothers and they’re weary and in the trenches and it has symbolism and the flag is the symbol for it. Phair: Earlier it hurt because it seemed nobody liked anything else I did, but I'm so far from that now. Rahman as well as the original song "Dotted Line" co-written by A.R. I didn't feel it was representative of my scope, emotionally. And there was literally no more money-I was already over budget, and because The Matrix got these radio songs, all of a sudden the label's like, 'put whatever you want on,' for which I'm eternally grateful. In "Rocks Off," I'm the girl who's looking at him on the street. It was so cute to see him there. She immediately invited me. LP: I put ice on it all last night, but I don’t really know. Liz Phair Interview, 1994. For those who want to criticize her, she gives plenty of bait for them to munch on: Phair never officially studied music (she was an art major at Oberlin), and for a serious kind of singer she’s taken up some unlikely offers: she’s modeled in ad campaigns, and has had small parts in not-great films. Liz Phair has Horror Stories The fierce alt-rocker still has a lot to say, but this time she's doing it in book form. Liz Phair sat down for a chat to discuss her new album Funstyle as well as other things. Things like “Love/Hate,” you’d think that was a song where I tried to make a statement, but it really wasn’t. in hopes that she would expand her audience and attract more listeners to its parent record, Liz Phair (2003). I mean parasite, but it had more panache, it did. Her song “Love is Nothing” on whitechocolatespaceegg contains a scene in which a man is telling a woman about all the friends they have in common, and by the time he figures it out, she finds herself yawning. I want my experiences recorded, I want to put them out there and everyone else should too. Be on tour with Alanis Morissette right now Guyville has recently come under attack as a sell-out my.. Radical things you can do right now mean parasite, but they ’ re in a of. 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