Stream songs including "Andrea Chénier, Act I: Un dì all'azzurro spazio (Live)", "Andrea Chénier, Act II: Credo a una possanza arcana (Live)" and more. Mario Del Monaco (27 July 1915 – 16 October 1982)[1] was an Italian operatic tenor. The soprano Magda Olivero noted in an interview with Stefan Zucker that: When Del Monaco and I sang Francesca da Rimini together at La Scala [in 1959] he explained his whole vocal technique to me. Verdi – Ernani (1956, New York) – Milanov, Warren, Siepi – Mitropoulos – Andromeda, Myto. Renata Tebaldi, Mario del Monaco - Giacomo Puccini, Giuseppe Verdi: Renata Tebaldi, Mario del Monaco - Giacomo Puccini, Giuseppe Verdi - Manon Lescaut - Lied Der Weide / Ave Maria / Liebes-Duett (Album) 2 バージョン : Decca: LW 5198: Germany: 1956: このバージョンを出品 to … The technique was so complicated: you push the larynx down, then you push this up, then you do that—in short, it made my head spin just to hear everything he did.[4]. Verdi - Otello (1951, México) Taddei, Petrella- De Fabritiis-. Mario Del Monaco), I heartily concur with Armando: the man was indeed "touched by madness"! Del Monaco was born in Florence to a musical upper-class family. The death of Mario del Monaco on Saturday ended one of the most successful operatic careers of the post-World War II era. Puccini- Manon Lescaut (1951, Mexico) Petrella- Antonicelli. This page was last edited on 31 December 2020, at 18:20. Giordano – Fedora (1969) – Olivero, Gobbi – Gardelli. Mario Del Monaco (Andrea Chénier), Maria Callas (Maddalena di Coigny), Aldo Protti (Carlo Gérard), Silvana Zanolli (Bersi), Maria Amadini (La Contessa di Coigny), Lucia … Verdi - Otello (1950, Buenos Aires) - Rigal, Guichandut- Votto- Myto. Whatever the reason, Mario del Monaco’s video legacy, both on film and live, remains one of the most astounding examples of dramatic singing-acting ever recorded. Leoncavallo – Pagliacci (1959, New York) – Amara, Warren, Sereni – Mitropoulos – Walhall. Zandonai- Francesca da Rimini (1959, Milan) Olivero, Malaspina- Gavazzeni. Renata Tebaldi, Mario del Monaco, Ettore Bastianini, Giulietta Simionato, Cesare Siepi, Silvio Maionica, Gabriella Carturan & Piero di Palma. Although Otello was his best role, throughout his career, Del Monaco sang a number of other roles with great acclaim, for example: Canio in Pagliacci (Leoncavallo), Radames in Aida (Verdi), Don Jose in Carmen (Bizet), Chenier in Andrea Chénier (Giordano), Manrico in Il trovatore (Verdi), Samson in Samson and Delilah (Saint-Saëns), and Don Alvaro in La forza del destino (Verdi). Verdi – Aida (1951, Mexico) Callas, Taddei, Dominguez- De Fabritiis- Warner Classics. Verdi - Otello (1954, Milan) Tebaldi, Warren- Votto. Verdi – La Forza del Destino (1953, New Orleans) Milanov, Warren- Herbert. Verdi – Requiem Mass (1965) – Crespin, Resnik, van Mill – Ansermet. Accurate and tracked shipping. Catalani- La Wally (1953, Milan)- Tebaldi, Guelfi- Giulini-UMPG. Del Monaco was born in Florence, into a musical upper-class family, to a Neapolitan father and to a mother of Sicilian descent. It is said that he sang Otello 427 times. He sang Wagner in concerts, from Lohengrin and Die Walküre. During the ensuing years he became famous not only in London but also across the operatic world for his powerful voice and heroic acting style. Mario del MonacoMario Del Monaco (July 27, 1915 - October 16, 1982) was an Italian tenor and is regarded by his admirers as being one of the greatest dramatic tenors of the 20th Century. Verdi - Otello (1962, Dallas) Ligabue, Vinay- Rescigno. Mascagni- Cavalleria Rusticana (1952, New York, film)- G. Bamboschek. Mascagni – Cavalleria Rusticana (1953, mono) – Nicolai, Protti – Ghione. 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